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Open mind – better writer

Are you open minded? Are you able to see the other side of arguments, not just your own? Are you open to new experiences? I’m a writer so I like to experience new things, keep an open mind about pretty much everything. I never know what I could use in a book some day. So I’m a big believer in also trying new writing experiences.

I love to write thrillers with serial killers. But that was all I had been doing for a while so I decided to try something completely different. Scripts. What I found was writing scripts helped me grasp some of those novel writing rules I’d been hearing about and thought I understood. But based on one rejection I clearly did not. It wasn’t until I started writing my first feature script that I truly “got” show, don’t tell because you have to show in screenplays. I’ll be dedicating an entire post to show, don’t tell later.

If novelists really want to learn show, don’t tell, keeping the writing active, story structure and dialogue I highly recommend studying movies. Those things are so much more clear in movies/screenplays. Debra Dixon’s GMC: Goal, Motivation and Conflict, though written for novelists, uses movie examples to illustrate her points. And she does it brilliantly.

I didn’t stop the new experiences with scripts. I moved onto something else completely different. Sci-Fi and horror short stories. Not a serial killer in sight. I discovered there were a lot of calls for submissions out there for short stories for anthologies. Why not try to break in that way while still honing my craft? Short stories are great, as are screenplays, to teach you to be economical with words. I’ve written about seven short stories so far, four of which have been submitted. I’ll keep writing them because they’re quicker than books and I have a finished product a lot sooner.

Writing in different mediums and different genres helps you grow as a writer. It may help you understand concepts better. Am I suggesting you write something you don’t like just because it’s different? No. You still need to like what you’re doing. Remember when you were younger and you refused to eat something because you said you didn’t like it? And your mother said, “You haven’t even tried it. How do you know you don’t like it?” Same concept applies. How will you know you don’t like writing screenplays if you don’t try? And don’t give up just because it’s hard.

A former critique partner wrote brilliant historicals. I loved them. She couldn’t sell them. She switched to contemporary settings with classic themes and sold her first book.

Whether you’re writing a short story, a novel or a script you still have to paint a picture with words. Personally, I would want every edge I could get. For me that means experimenting with different genres, mediums, structures, writing processes. You never know. You might find a new favourite genre to write. Or a new writing process that works better for you. If you keep an open mind about things in general, why not your writing too?

How open minded are you?

Until next time…

Cindy

It’s not you. Really.

Creating three dimensional characters isn’t easy. Writers tend to draw on real life experiences so our characters experience those universal emotions. It’s tempting to draw on real life people as well. Much easier than coming up with three dimensional people from scratch. And it can be so freeing. Yesterday at work something happened that really ticked me off. It wasn’t completely this person’s fault. I was anxious to leave so I could go swimming, I was already running behind and then I had to stay a lot longer to deal with something. So on the way home from work I decided this person would be the next victim in my serial killer book. Putting people like that in my books is how I blow off steam so I don’t get angry. And sometimes they actually give me good characters.

But do I do that all the time? No. As hard as it is to come up with sympathetic, three dimensional characters, I do create most of them from scratch. I use various methods for getting to know my characters. And I’ve discovered, partly with the help of Karin Tabke’s advice on characters, that I need to REALLY know them before I can write my stories. I use a template that is a mash up of a number of different templates. I list the basics like height, weight, hair colour, eye colour. Then I go further and pick three positive traits and one negative trait. After that I decide what secret the character has. Now this secret may never come out during the course of the book but they’ll still have a secret that they don’t want anyone to know. I figure out who their family and friends are. What their childhood was like. I figure out their favourite food, colour, music. Then I decide what their personality is like. Are they funny? Depressed? Serious? No matter what role they play in the story I give them a Save the Cat! moment. Something that makes them sympathetic.

After I do all that I figure out the really important stuff. The stuff that will drive the book. I figure out what their goal, motivation and conflict is. Internal and external. What the character wants and why will drive the story. What are they willing to do to get what they want?

One of the reasons I can’t wait to write my new urban fantasy idea is because all of that, down to who her best friend was in college, came to me in a flash. Literally. I was driving home from work and suddenly I just KNEW her. She’s really damaged but she’s going to be a lot of fun to write. I’m sure she’s hiding a few secrets even from me but I’ll find them out.

Anyone out there use real people as the basis for characters? How do you change the character so the people don’t know? If I base a character on a real person I always change something about them so even if the person who the character was based on read it, they wouldn’t know it was them. Except the protagonist in my ghost story who is actually my best friend. But she knows about it. I told her. I did change her name.

Well, off to work.

Until next time…

Cindy

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